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“jazz star of the future” - Wynton Marsalis

With his debut recording, Reach, singularly talented pianist and five-time Grammy Award nominee Christian Sands is stretching into exciting progressive territory. He breaks new ground traversing from the straight-ahead zone into fresh-sounding music influenced by a range of styles, from Afro-Cuban rhythms to hip-hop beats to dirty blues with an edge. That’s impressive for a youngster who is just 27. “The collection here is about reaching new ideas and reaching new music,” he says. “I’m reaching from past recordings to bring in the future, which is really all about finding myself. It’s a chance to express my experience.”

Reach becomes one more milestone in Sands’ auspicious career that stretches back to his New Haven, Connecticut upbringing. Having started playing piano at four years old, composing his first piece of music at age five, starting music classes at eight, and becoming a professional at ten, Sands was well-prepared to attend such prestigious schools as the Neighborhood Music School and the Educational Center for the Arts in New Haven (he later received bachelor’s and master’s degrees from the Manhattan School of Music).

But a key moment came when he attended the Jazz in July summer workshop at the University of Massachusetts, Amherst when he was in high school. That was where he met and began his mentorship with Dr. Billy Taylor. “I was 13 or 14 and I studied with Dr. Taylor,” Sands says. “After the first week, he asked me to stay a second. I went on to take private lessons with him and master classes. He became my music grandfather; I went to his house in the Bronx and we’d talk about different music such as his piano heroes like Art Tatum and then bands I was listening to, including The Roots, A Tribe Called Quest, John Legend, and he was hip to all this.”